In Oliver Comerford's work, the landscape plays a supporting role as the transient backdrop to the journey depicted. His subject matter is not the landscape as destination, but the momentary awareness of a timeless world existing outside the windows of a speeding car. The geographic disparity of his subjects, as well as the allusions to contemporary film and photography, serve to underline the way in which we perceive the outside world in our daily lives as we shuttle between destinations.